on the occasion of the third release, we re glad to welcome french dj and music producer dan ghenacia, head behind godeep (his new solo project) and one-third of apollonia, as well as live performer and music producer argenis brito, resident at club der visonäre for over 8 years now and where he hosts his boom n bust party. whereas dan ghenacia proposes an indisputably more grooving and dancefloor-driven version of david k s aquatic machine dream (ts07) that came out at the end of 2016, argenis brito — for his part — delivers a rather dubby and minimalistic interpretation of david k s daydreaming ailleurs (ts10) which was the first track that be released on tone series.

produced by felipe duque & daniel hartl , mastered and cut by tim xavier at , manmade mastering berlin , artwork by maximilian mauracher , vienna 2018

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

comes with a huge 22x28 newprint poster in japanese sealed poly sleeve. chicago s beau wanzer returns to the label with his signature sound of crunched out bizarro electronics. tip! unmistakenly, wanzer has carved his own niche through the years as this ep rightly reflects the vast range of styles he works in. from the hypnotic head nod of wick hunny to the juicy back alley electro wave of the grim whim or the nasty metallic stomp of he spilled my drink we get wanzer in top freak form, mangling the drum machines and pushing the synths to the edge. a welcome return to say the least.

touch of loft wax 002 see’s label head nathaniel garry step out on the a-side with a club ready deep house dj tool. jacking percussion lays a solid groove as electric piano chords and deep pads set the mood, topped off with chopped up vocal samples to get the crowd pumping. london’s timothy clerkin serves up an ebm rave for his remix on the b-side, with a thumping kick drum and arpeggiator bassline sitting under twisted and warped vocals from the original. grab it. pop it in your dj bag. with the a-side for the warm up and the b-side for the peak time slot.

sound society publishes its first reference with great enthusiasm. on side a we have the deeper house sound from etur usheo with very sticky chords which will be staying in your head once you hear them. on side b our young artist shows off his most underground side of house, with kick beats that will make you tremble and using classic house shades.

4 tracker hand stamped techno release ... incl a mind breaking andre kronert remix, he is the head of odd even records. schmutz already released on omnidisc, drit drew records, fine white records.

delft returns for the latest split ep, the label s first since the 004 entry by matrixxman and la-4a. this entry pairs label head la-4a with crew member alden tyrell for a rough and raw acid and electro derby.

second introduction to weather rec with another va compilation featuring cuts from russian producer swoy, the multi-faceted spanish artist dakpa, hund’s italian duo dubfluss and rounding up this multinational release, one of japans finest, shintaro.d head of init tokyo. limited press. 180gr. weather-proof sleeve.

edizioni mondo as a label, has the goal to produce music that is descriptive of concepts, images and environments. inspired by library music, a genre frequently used as theme or background music in radio, film and television in that very same period, the name mondo has its roots in mondo movies, an italian movie genre born in the 60’s. mondo movies are characterized by documentary-like content that addresses several topics from around the world (mondo). numero nove comes courtesy of rotla. also known as mario pierro and raiders of the lost arp, waves is his third contribution to edizioni mondo. downtempo, trippy, playful and pardon us, balearic, its the soundtrack to the fading summer or the one starting somewhere else in this universe. accompanied by remix works from label head l.u.c.a. and balearic (again!) mastermind mark barrott with his sketches form an island healing hands, its the most balearic (threes a charm) record you will hear this side of the summer (wherever you are).

* integral records proudly present the latest project from head honchos artificial intelligence. introducing the series -–season 1. as the title suggests, this fresh bunch of emotive and futuristic cuts comprises four unique listening episodes that will take you on an exhilarating journey spanning across soulfully-refined molten liquid jams, and signature a.i. heaviness. stay locked for the season 2 premiere!

giuliano lomonte is back on his own imprint and straight to the point with tho original cuts. there is no doubt the distinctive bassline on a1 skyline will be stuck in your head long after the record is over and the deep and driving after hour vibes on b1 aquarium will keep the dance floor moving until the lights come on.

international deejay gigolo records presents its second remix package from the single i want u of label boss dj hell. the original gets a new twist with the reinterpretation of darren emerson. his own view on the track has a high intense energy and a pumping upfront attitude. french techno head the hacker reworks his own remix and gives it a dark & playful 2018 facelift.

va&#776,,,stkransen records are proud to release the debut ep of stockholm s house savants hk. the main project of hampus ribbing and kristoffer banks, hk have garnered attention for their dynamic and unpredictable live sets. having spent five years in the studio engineering their deep and mesmerizing grooves, the duo now surfaces with “a kind of love ep”, featuring three original tracks and a remix from french wunderkind and d.ko head flabaire.
on the a-side, hk begins with the melancholic but captivating “a kind of love”. the duo then goes deeper on the hypnotizing, yet dancefloor-oriented, “hiccup”. on the flipside, flabaire presents a dreamy and jazz-inspired remix of “a kind of love”, after which hk sums up the ep with “angry bird”, a percussion-infused take on the rougher deep house sound.

3024 is back with a quintessentially unique and current take on the hardcore continuum with a brand new various artists ep featuring music by label head martyn, advanced percussive science by yak, midsummer melancholy by baltra and avant-techno by the manchester/berlin duo juniper.

aberdeen based source material break their way onto the scene with a heavy hitting 12 inch debut from label head nonentity. three raw electro cuts made specifically for club use. vinyl only, limited to 300 copies. mastered at reel mastering, london.

physician by day, musician by night, moonlighter makes his production debut after steadily holding down rocksteady disco labelmate duties. “give us rain (ah mila)” begins the 12” beautifully, blending ethereal african samples with moonlighter’s own melodic and percussive performance. “kinematic” kicks off the flip on a more cosmic and tech­y tip, with bubbly synth stabs and drums. “a certain average kind of normal experience” closes out this opus with a massive peak hour bassline, emotive synthesis, and a vocal sample from everybody’s favorite uk philosopher. the moonlighter ep is a culmination of his diverse production and digging ethos by blending the percussive with the melodic, the peak hour with the subdued, and the head with the heart.

digging deep into the chicago rave vaults to re-issue the debut ep from billy nightmare aka “mystic bill” torres. ‘reality check’ consists of 4 tracks, recorded at mirage studios in chicago in 1996. two tracks on the a-side are dark thumpers and will haunt your head for days. side b has 2 versions of the same song, lighter and funkier in mood both show the diversity mystic bill is capable of producing. all songs have been remastered by george horn at fantasy studios. each ep is housed in a custom designed jacket by eloise leigh featuring a 90s photo of billy nightmare staring into tv static and includes a postcard with notes.

k.a.c.z.m.a.r.e.k”, from the title to the sounds, is intended to be a more personal project for paul ritch – indelibly closer to the confluences of sounds that he hears embodying the spirit of kaczmarek. he drives the mind’s eye deep into the inner-ear with the album’s spacious opening tracks, only to leave your head bobbing with the extraterrestrial rhythms that emerge as the main body of the album. moody and foreboding, loaded with the scattered, staccato and broken beats, more ovular than linear in composition and ranging from vaporous-ambience to hyperventilating grooves, the nine tracks on this album defy categorisation. the “k.a.c.z.m.a.r.e.k” album will give the listener a deep well to return to. the vinyl release will be a fittingly rare issue – only 100 numbered copies are going out, while digital releases will run parallel. keeping with the dark and cryptic theme of the first releases russian artist, sasha sime, is back for his third kczmrk cover design

the free fall, to dive head first into something, is scary for most people. for some it is the most exciting thing however and the only possible path anyways. florian is one of those driven artists who never sounds the same, his signature tone is the free fall into new soundscapes, new ways of using his analog electronic instruments and carving out the essence for the dancing individual.

omni music returns with a brand new vinyl release, featuring 4 more choice cuts of deep music. the ep starts out with bad twin, whose members will be well known to any omni fans and any oldskool heads. they launch the ep with a classic summer-sounding breakbeat trip down memory lane with beautiful rhodes, delicious harmonics and crisp breakbeats. continuing the ep we feature the amazing talents of the drumkilla with an new edit of his omni classic event horizon a string-laden epic amen voyage to the stars. side b starts with the atmospheric kings pariah teaming up with label owner eschaton to produce a stripped down and hypnotic head-nodder swimming with celestial pads and space-age bliss. finishing the ep we have the always magnificent rainforest who also teams up with eschaton to continue the journey into deep space with an at times frenetic, but always intelligent, collage of amen rhythms, pounding basslines and otherworldly atmospherics.

this album is a curve ball. mr. g is showcasing some of his deep and sample oriented works on “a part of me vol.2”. a touching collection of tracks taking the listener into the depths of the uk based artist’s perception.

instrumentale cosmic-disco-rarität aus frankreich, die 1979 bei einem library-musiclabel erschien.

papeete sun debut on voodoo gold!

label boss cali lanauze is joined once again by jonny cruz to deliver the fifth release of opulences catalogue. the duo perfectly demonstrates through the flyg ep the versatility and sounds that opulence brings to the table: deep, trippy, dark, groovy & more. taking on remix duties of cali lanauze & jonny cruzs originals, germanys legendary roman flügel delivers a dark warehouse electronica roller remix of flyg, whilst disco halal head honcho moscoman delivers a deep summer instrumental interpretation of may the wind always be at your back .

contactless debuts on uttu with 4 electro cuts for the head, the whip and the club. taking inspiration from boombass, electro-electronix, the lead track static takes you on an electrosoul journey to the beyond, updating the motor city template with fresh styles. cybernetik jerkin is a prime slice of hi speed funk, sure to get those feet workin and jerkin’. robot wreckin crew introduces the most bad-assed cybernetic b-boy crew around, with added flavour ready for the sub-woofer in your trunk, whilst e.p. closer downpour twists the program even further to include drum and bass influenced melodic elements over steady electro beats. 4 cuts guaranteed to inject emotion into our increasingly automated society!

aussie house maestro, matt meler debuts on house puff with a tasty club-focused four track release. the a-side kicks of with -the looker- full of freq d n filtered stabs and pads that ll get the juices flowing. a2 strips a few layers off for a hypnotic bumper, -rub- a-dub-. incognito cognito, thumps us with a heavy hearted groove with etherial textures and psychedelic atmospheres. closing out the b-side is - nice things-, saturated with classic deep influences, wonky lfo s and hats for days. wrap your head around this all class ep.

apart from being known for founding the infamous vinyl imprint subaltern records and for his residency on sub.fm, gabriele romeo aka. mentha has made quite a name for himself with his jazz-influenced bass music productions. this lp is a selection of tracks from his vault, showcasing his musical abilities and tasteful compositions in this self-release.

it s time again for us to welcome another first timer to the second state roster: rocko garoni. having been label manager of sisyphon, in-house imprint of the acclaimed sisyphos club in berlin, garoni is no stranger to curating high quality records, and this time he gets to be curator of his own stunning detection ep. jumping in head first, detection , mischievous number that is equal parts vicious and cunning as it is sensual and inviting. provocative female whispers float over a beat sure to slay any crowd, any time. switching gears, garoni heads into houser territories on phaseful , where glimmers of classic house artifacts are scattered like flickering shimmers over an energetic drum illustration. coming up next is tragedy . it s low slung drums, vast spanning bass and sinister vocal declarations make it an ideal ambassador for the dark mysterious nights. wrapping up the ep is a huge rework of detection by regal, who churns out a burner by cranking up the tempo and tension with crisp drums and an undeniable classic rave leads sure to make the forefathers of techno proud. if it keeps up like this, we expect much more big things in the future from rocko garoni!

aura dinamica continues with it s second release so far. label head portrait delivers some uncompromising cuts for the dance floor, featuring a remix by rhyw .

since 2010, buyepongo has led a steadily growing los angeles underground movement that combines the vast influence of traditional tropical sounds with the streetwise edges of the latin american diaspora. much like their name implies (translation: to cause a ruckus), their hybrid style is focused on the celebration, an infectious, energetic vibe that is universally and rhythmically connected. it ll get your feet moving, and much like many of the records from the golden age of cumbia, these two offerings demonstrate an updated and adapted reverence for the roots that is truly distinct to their own unique place and time. for the group s latest single, that place, the sprawling latinx scene east of los angeles, met head on with the east coast hot pot of brooklyn. recorded and produced in collaboration with names you can trust during the band s serendipitous 2017 trip to nyc, this new release takes two of buyepongo s most fan-favored and party-tested original songs, two that had yet to be recorded, and combines them with the nyct forty-five ethos: a stripped-down, warm analog recording that perfectly captures buye s live, bring-the-ruckus style in the room as it happened. por la vida romps over the a-side, a modern-day classic in the making whose lyrics (how beautiful is life, always full of surprises) compliment a sunny, easy-going house party vibe, while miri on the flip evolves from a loping, almost reggae groove into a transcendent journey through caribbean feel-good sounds.

!!! 2018 repress !!! of nu guinea’s outstanding ‘world’ ep – the neapolitan duo is set to release new material on tartelet later in the year as part of the labels 10 th anniversary. the beautifully dislocated bougainvilles live lays out some warm analogue textures across a live percussion base, while the vocal edit of title track nu world ploughs a similar furrow to obscure 80’s afro-disco, with rich musical synth work over a pacey afro groove and undeniable jazz-funk flair. the flute mix passes over the vocal refrain from mix one and just gets down and wigs-out on those solos - an absolute killer! exotica dance club sounds like herbie visited the salsoul studios with his banks of analogue gear and jammed out into the small hours, as we head home on the beatless outro, all synth washes and lavish ear candy.

four slabs of no nonsense, bassline-driven rollers. st, our favourite son and the first release on our slow to grow label is back for 004. an extension beyond the deep excursions of 001, if you caught that you may know what to expect, if not, think 3am at racket on a quality biscuit with the bass bins shaking. if you’ve never been to mad racket then we suggest you visit sometime, two head-bent remixes in the form of locked grooves on each side from our other love, jon watts (jon & hugh - otis002). cause life is cyclical

you may not have heard the name jackson almond before, but you will have likely heard some of his music. having released on wotnot back in 2013 under the name real, with a flurry of eps, remixes and bootlegs under this name and as part of duo boean (on bbe, warner, xvi & slowfoot among others), jackson has been delighting ears for a while now, with a particular knack for balancing hooks and earworms with original ideas and creative production. this ep began life as a series of headphone jams written when jackson was living outside of the city in self-imposed exile, tuning into the goings on in dance music from an external position. it was then polished into dancefloor gems at the wotnot studio at the total refreshment centre. the music reflects this, with the sonic palette reflecting lo-fi and outsider house, but with a warmth, depth and musicality specific to his own personal situation.

over the years moton has become synonymous with releasing great quality edits from a range of amazing producers. their 43rd release is no different offering up two glorious edits ready made for the dancefloor. cuffari (make the world larger than me) on the a side is four and a half minutes of luscious, soulful, string laden goodness, entrancing you with those dreamy vocals. trust us, she s right when she says the melody echoes in my mind this one will be stuck in your head for days! flip it over and marcel vogel, under his em vee alias channels the happy-go-lucky nyc discotheque days through dancing (jumbo). with an all too infectious guitar and bass riff, coupled with cosmic synth pops and perfectly layered vocal chants its sure fire, peak time disco gold.

detroits own reggie dokes lands on shift imprint for the third cut of the label with my soul reaches up ep, a beautifully crafted record with a remix from the finnish house head, arttu!

london based artist doppelate is next up on x-kalay and debuts on the label with a four tracker of detroit house inspired club jams. having initially caught our attention with his records for our friends over at lets go swimming we’re super excited to provide the platform for his next release.

180 gram double vinyl, housed in a gatefold sleeve with download code included. first time on 2 lp vinyl! features >rock n roll is dead<, >cant get you off my mind<.. includes three rare bonus cuts.

rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).

the sixth release from solkyss is a real smorgasbord with influences from all over sweden. edvin wikner, head chef and local marathon dancer, serves us an original production accompanied by a collaboration with malmo-based per hammer. trauma tribe celebrates their shared love of extended morning sets—a passion ultimately manifested at emmabodafestivalen two years ago when they broke swedens record of the longest dj set to date, playing for 24 hours straight. the original kai saa comes with an outstanding remix from no other than arkajo.

sold out on pre-sale 100 copies only. comes on blue transparent vinyl. mastered by helmut erler at dubplates & mastering, berlin. the next releases on eotrax will round off a busy 2018 for the label and set out an exciting proposition for a future way of working and releasing music. in what will be an ongoing, curated collaboration series artists will be invited to make work together for the label, without restrictions on genre, style or aesthetics. an open environment of collaboration and experimentation which will then be released by the label. to launch this series label head eomac teams up with four different artists over four slabs of vinyl, to be released sequentially over four months. the collaborations are improvised and composed, wild and emotive, unexpected and expected and all of them resulting in music that would never have been made by either artist individually. first up is a two-tracker from techno powerhouse and self confessed noisician paula temple and eomac. on the a-side the synth heavy gestirn takes inspiration from autechres classic eutow, driving forward with a broken beat while celestial melodic lines reach skyward to unknown realms. the b-side introduces a wilder beast, with the ferocious, pummeling techno of kralle

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

moscow head-honcho archie hamilton teams up with cousin benson herbert for another collaborative ep on the imprint, bosteled via a club ready reshape from s.a.m. having already garnered support from some of the biggest names in minimal house, including raresh and barac, for previous productions, the ‘swerve’ ep is benson’s second, family-affair release on moscow. a promising up and coming talent, benson’s already played some of europe’s most prestigious dancefloors including sub club, fabric and paris’ rex club. as moscow enters its tenth year of releasing the most forward thinking and respected names in house and techno, label boss archie hamilton continues to release across europe’s most highly revered labels, whilst playing the world’s most exciting clubs and festivals including robert johnson, miami music week’s get lost chicago’s spy bar, croatia’s sonus and estonia’s moonland to name a few. ‘swerve’ sets a powerful pace with a rumbling bassline, offset against gorgeously melodic and minimal textures, it’s a roller that will undoubtedly be thriving across dancefloors this summer. informer, is a complex myriad of winding and hypnotic micro-melodies, which serves as a unique and effervescent follow up to the ep’s first track. denmark’s hotly-tipped dj/producer s.a.m is on remix duties for ‘informer’, delivering a jacking slice of dub infused four-four that deftly utilises the haunting riff of the original.

shaw cuts is happy to welcome a new face to the label squad: lazarus, a young producer from nuremberg, yields the perfect soundtrack for ‚the magic blade‘ with his debut record. the story begins with another clash between arch-rivals fu hung hsueh and yen-nan fei, two of the country’s most skilled swordsmen, both on a quest to number one. ‚rhea’ sets the perfect tempo for the duel with its heavyweight drums, revolving percussion and energetic pads. clanking swords are interrupted by the arrival of shady company – followers of the mysterious underworld swayer sent by master yu who wants yen-nan fei’s head. fu hung hsueh and yen-nan fei join forces, slaying the villains in seconds. ‚reverof nema‘ rolls in, its commanding rhythm and moody chords giving the swordsmen new force and vitality. yu wants to eliminate the swordsmen so that they never gain possession of the peacock-dart, an indestructible weapon with thanatophoric effects and the object of yu’s desires. but fu hung hsueh and yen-nan fei have already picked up the scent. bloody battles follow against more of yu’s entourage. the race against time is led by the energetic synth delirium and savage drums of ‚casio flex‘, leading hsueh and fei safely to the sublime weapon. the duo journey on, defending the peacock-dart until they reach yu’s temple. the final showdown. ‚overcome’ and its warped groove, warm synths and thundering drums bring master yu to his knees and the netherworld. but who was master yu? was it you? the myth lives on…

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.

auf seinem neuen album -r.u.r.- lässt der berliner produzent djedjotronic den kalten maschinen warme herzschläge folgen und umgekehrt. aufgenommen in einem basement in südfrankreich, besitzt -r.u.r.- eine techno-futuristische thematik über moderne isolation, robotik, ki, simulation und cyborgs, während es musikalisch hinweise auf ähnlich gelagerte produzenten-legenden wie cybotron, if, the hacker und ivan smagghe (zu seinen glorreichen dj-tagen im pariser pulp) gibt. der aggressivste dancefloor-moment ist zweifellos -take me down- mit douglas mccarthy (nitzer ebb) on vocals, ein industrial-arpeggio-monstertrack.

following their debut release with danse noire réelle releases their second album entitled ghamccccxc vrr, expanding upon the painterly melodies and ornamental sound design of kissing myself. rather than focusing upon deep psychological aspects of schizophrenia, ghamccccxc vrr explores key moments before and during réelle’s first schizophrenic psychosis as well as the lateral state of mind caused by this condition.

part 3 of 5 to be released over the coming couple of months. originally released on the phono label in 1995/96 the ‘parts’ series from matthew herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. this series of 12”s were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. the mix of herbert’s playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. the odd few tracks aside this is the first time that these releases have ever been repressed. all newly remastered for this reissue series, the releases include stone cold club classics such as ‘deeper’, ‘take me back’, ‘resident’, ‘people that make the music’ and ‘see you on monday’.